3D and 2D Techniques for 360 degree Panoramic Illustration

当时间至关重要，并且您的任务是描绘具有挑战性的场景时，有一些工具和技术可以显着加快您的工作流程。在这个 3.5 小时的研讨会中，艺术总监兼抠像画家 Nick Hiatt 介绍了如何使用 DAZ 3D 的免费模型和资源库来遮挡环境以快速讲述故事。 Nick 的课程讲述了在 Maya 中高效布局场景、在 Redshift 中渲染以及最终在 Photoshop 中最终确定和创建 360 度图像的过程。

Nick 的培训全程使用一系列 2D 和 3D 技术，涵盖从选择和编辑 DAZ Genesis 模型的物理属性（包括年龄、皮肤、头发、眼睛和衣柜）到将资产导出到 Maya 的整个过程；包括清理、纹理和材料。他揭示了如何使用简单的立方体和基本模型轻松遮挡场景，并解释如何使用环境模型和 HDRI 来设计支持叙事的光影。培训演示了 Redshift 中的渲染，以及 Photoshop 中对烟雾、火焰和最终细节等元素的绘制。工作流程最终形成一个 360 度球形图像，使观看者完全沉浸在插图的叙述中。

在繁忙的制作环境中，当您永远不知道下一步可能会要求您创建什么时，本次研讨会中描述的技术将帮助您在短时间内快速遮挡、照明和绘制复杂的环境。

Duration 3h 20m MP4

Title: The Gnomon Workshop – 3D and 2D Techniques for 360 degree Panoramic Illustration

Info:
When time is of the essence, and you’re tasked with illustrating challenging scenes, there are tools and techniques that can dramatically speed up your workflow. In this 3.5-hour workshop, art director and matte painter Nick Hiatt introduces how DAZ 3D’s free models and asset libraries can be used to block out environments to quickly tell a story. Nick’s lessons talk through the process of efficiently laying out scenes in Maya, rendering in Redshift, and eventually finalizing and creating 360-degree images in Photoshop.

Using a range of 2D and 3D techniques throughout, Nick’s training covers the complete process from selecting and editing the physical attributes of DAZ’s Genesis models — including age, skin, hair, eyes, and wardrobe — and exporting assets into Maya; including cleanup, textures and materials. He reveals how to effortlessly block out scenes using simple cubes and basic models, and explains how to use environmental models and HDRIs to design light and shadow that support the narrative. The training demonstrates rendering in Redshift, as well as paint overs in Photoshop for elements such as smoke, fire and final details. The workflow culminates in a spherical 360 degree image that fully immerses the viewer in the narrative of the illustration.

In busy production environments, when you never know what you may be asked to create next, techniques such as the ones depicted in this workshop will help you quickly block out, light and paint complex environments in a short space of time.

SOFTWARE USED
Maya Daz3D Photoshop