3D Game Character Creature – Full Complete Pipeline

了解如何使用 Zbrush、Maya、Substance Painter、Photoshop、Unreal 对角色生物进行建模和纹理化

你会学到什么

创建适合游戏的全身角色
了解重新拓扑背后的原因
以合乎逻辑和创造性的方式设计生物
创建皮肤和眼睛纹理
了解如何制作干净的生产就绪拓扑
用于演示的纹理和光线

要求

ZBrush、Maya、Substance、Marmoset、Photoshop、Unreal的基础知识

描述

讲师 InfoAbraham Leal 是 Critical Hit Studio & Academy 的总监和创始人。通过工作室和学院，他很自豪能够将他的艺术知识传播给家乡的每个人，并且非常高兴能够在墨西哥从事大型娱乐项目。激发亚伯拉罕成为 3D 艺术家的是《霍比特人》这本书以及围绕它的所有传说。能够讲故事和分享自己的声音是他创造和想象新的和令人兴奋的角色的动力。在成为 3D 艺术家之前，他正在上医学院，他决定完成 180 次并进入数字设计和娱乐制作领域。当他从医学院退学时，他无法通过绘画或雕刻来挽救自己的生命，但他坚信自己的明确愿望并努力将其变为现实。他对想要进入 3D 行业的艺术家的建议是正确练习、保持耐心并保持谦虚。他相信始终牢记目标，并始终乐于学习和改进。课程信息 在整个课程中，我们将专注于创建一个可用于视频游戏的角色。我们将为生活带来一个有趣的角色。我们将经历从设计、比例、解剖、潜入到整个管道的角色游戏创建的整个过程，直到我们到达一个可以生产的角色。我们将深入创建高多边形、低多边形、重新拓扑、UV 映射、纹理、材质设置、渲染、灯光、后期制作，最后将角色放入游戏引擎以确保一切正常适当地。

概述

第 1 节：简介

第一讲 简介

第 2 部分：卷。1：雕刻生物

第 2 讲第 1 卷概述

第 3 讲 比例和基础网格

第4讲躯干

第5讲武器

讲座 6 腿

第7讲 头

第8讲设计调整

第9讲头部细节第1部分

第10讲头部细节第2部分

第11讲躯干细节

第十二讲 返回详情

第13讲 光测试

第14讲武器细节

第15讲手部细节

讲座 16 英尺细节

第17讲微观细节

第18讲人物细节

第19讲 狨猴概览

第 3 部分：卷。2：重新拓扑，展开，纹理，设置演示

第20讲第2卷概述

第21讲重拓扑介绍

第22讲重新拓扑工具

第23课 Retopology Torso

第24课 Retopology Face Main Loops

第25讲Retopology Face主要细节

第26讲重新拓扑头

第27讲重新拓扑颈部

第28讲 重新拓扑 返回

第29讲重新拓扑腿

第 30 讲 Retopology 腿细节

第31讲 重新拓扑脚

第32课 Retopology 前臂手指

第33课重新拓扑手

第34课重新拓扑的最终步骤

第 35 讲 UV 第 1 部分

第 36 讲 UV 第 2 部分

第 37 讲 UV 第 3 部分

第 38 课 UV 清理

第39课法线贴图和烘焙

第40讲有用的地图和初始颜色

第41讲颜色分层第1部分

第42讲颜色分层第2部分

第43讲颜色细节和假SSS

第44课 光泽度

第45讲颜色细节

第 46 课 TrueSSS 和最终细节

第47课 眼睛纹理

第48讲 狨猴材料设置

第49讲 灯光设置

第 50 讲 Photoshop 后期制作

第51讲最终视频

任何想为游戏创造有趣角色的人

Last updated 2/2019
MP4 | Video: h264, 1280×720 | Audio: AAC, 44.1 KHz
Language: English | Size: 13.02 GB | Duration: 14h 18m

Learn How to Model sculpt and Texture a Character Creature using Zbrush, Maya, Substance Painter, Photoshop, Unreal

What you’ll learn

Create a full body character suitable for games
Understand the reasons behind retopologizing
Design creatures in a logical and creative manner
Create skin and eye textures
Understand how to make clean production-ready topology
Texture and light for presentation

Requirements

Basic knowledge of ZBrush, Maya, Substance, Marmoset, Photoshop, Unreal

Description

Instructor InfoAbraham Leal is the Director and Founder of Critical Hit Studio & Academy. With the studio and academy, he is proud to be able to spread his artistic knowledge to everyone in his hometown and is extremely excited to be working on big entertainment projects in Mexico. What inspired Abraham to be a 3D artist is The Hobbit book and all the lore that surrounds it. Being able to tell stories and share his own voice is what motivates him to create and imagine new and exciting characters. Prior to becoming a 3D artist, he was going to medical school and he decided to do a complete 180 and get into Digital Design and Entertainment Production. When he quit medical school, he couldn’t draw, paint, or sculpt to save his life but he was so convinced of his definite desire and worked hard to turn it into a reality. His advice to artists who want to get into the 3D industry is to practice properly, be patient and stay humble. He believes in always having a goal in mind, and always open to learning and improving. Course Info Throughout this course, we are going to be focusing on the creation of a video game-ready character. We are going to be bringing in an interesting character to life. We will go through the whole process of character game creation starting from design, proportion, anatomy, and diving in to the entire pipeline until we arrive to a production-ready character. We will go deep into the creation of the high poly, low poly, retopologizing, UV mapping, texturing, material setup, rendering, lights, post-production, and at the end putting the character into a game engine to make sure everything is working properly.

Overview

Section 1: Introduction

Lecture 1 Introduction

Section 2: Vol. 1: Sculpting the Creature

Lecture 2 Volume 1 Overview

Lecture 3 Proportions and Base Mesh

Lecture 4 Torso

Lecture 5 Arms

Lecture 6 Legs

Lecture 7 Head

Lecture 8 Design Adjustments

Lecture 9 Head Details Part 1

Lecture 10 Head Details Part 2

Lecture 11 Torso Details

Lecture 12 Back Details

Lecture 13 Light Test

Lecture 14 Arms Details

Lecture 15 Hands Details

Lecture 16 Feet Details

Lecture 17 Micro Details

Lecture 18 Character Details

Lecture 19 Marmoset Quickview

Section 3: Vol. 2: Retopologizing, Unwrapping, Texturing, Setting up for Presentation

Lecture 20 Volume 2 Overview

Lecture 21 Retopology Intro

Lecture 22 Retopology Tools

Lecture 23 Retopology Torso

Lecture 24 Retopology Face Main Loops

Lecture 25 Retopology Face Main Details

Lecture 26 Retopology Head

Lecture 27 Retopology Neck

Lecture 28 Retopology Back

Lecture 29 Retopology Legs

Lecture 30 Retopology Legs Details

Lecture 31 Retopology Feet

Lecture 32 Retopology Forearm Fingers

Lecture 33 Retopology Hands

Lecture 34 Retopology Final Steps

Lecture 35 UVs Part 1

Lecture 36 UVs Part 2

Lecture 37 UVs Part 3

Lecture 38 UVs Cleanup

Lecture 39 Normal Map and Baking

Lecture 40 Useful Maps and Initial Colors

Lecture 41 Color Layering Part 1

Lecture 42 Color Layering Part 2

Lecture 43 Color Details and Fake SSS

Lecture 44 Glossiness

Lecture 45 Color Details

Lecture 46 TrueSSS and Final Details

Lecture 47 Eye Texturing

Lecture 48 Marmoset Material Setup

Lecture 49 Light Setup

Lecture 50 Photoshop Post Production

Lecture 51 Final Video

Anyone who want to create an interesting character for games