
课程大纲
CLASS 1
我们开始概述课程其余部分的内容、我们将使用的软件、为什么以及我们的学习目标是什么。在本课程中,我们将首先使用 EDL、XML 将素材带入 Nuke Studio,整合和组织、标记和标记时间线中不同 VFX 镜头的所有印版,我们将为导出做准备。
CLASS 2
我们审查所有提交的内容并检查所有需要徽标的包装照片。下一课的任务简介:将标志性的山放在背景中,清理电线杆和电线,更换移动卡车上的标牌,节省生产时间两天和拍摄日,以便在故事板上进行一次拍摄。
3 级
开始拍摄山景。我们首先清理所有不需要的元素,然后放置和整合我们的山。
CLASS 4
我们对山景进行最后的润色,例如在卡车的侧面添加一个标志并检查所有提交的内容。下一课的简介:回到其中一个盒子镜头,但这次我们必须用足球场替换人才后面的绿屏和部分绿色的送货车。删除错误地涂在面包车上的电话号码和网站的额外功劳。
CLASS 5
潜入绿屏并设置扩展。
CLASS 6
Austin Meyers 带我们浏览了广告中三个蓝屏镜头中的第一个。
7 级
完成送货车拍摄绿屏。
CLASS 8
Mariana Acuña 通过从 2D 图像生成 3D 场景来帮助合成序列中的第一个镜头。
CLASS 9
Hugo Guerra 和合成师/研发开发人员 Justin Gros Desir 创建了一个 Nuke Gizmo,用于使用多个来源创建可配置的人群。
CLASS 10
课程结束。
10 Classes Project Files Included MP4
Title: FXPHD – NUK232 Commercials Finishing for Boutiques
Info:
Course syllabus
CLASS 1
We start an overview of what’s to come in the rest of the course, the software we will use and why as well as what our learning goals are. In this class we will start by bringing footage into Nuke Studio using EDLs, XMLs, conform and organizing, tagging and labeling all of our plates for the different VFX shots in the timeline, we will prep our edit for the export.
CLASS 2
We review any submissions and go through all the packaging shots that needed the logos. Brief for next lesson’s assignment: Place iconic mountain in the background, cleanup telephone poles and lines and replace signage on moving truck saving production two travel days and a shoot day for one shot on a storyboard.
CLASS 3
Begin working on the mountain shot. We start by cleaning up all the unwanted elements and placing and integrating our mountain.
CLASS 4
We put the finishing touches on our mountain shot like adding a logo to the side of the truck and go over any submissions. Brief for next lesson: Returning to one of the box shots but this time we have to replace the green screen in back of the talent and partially green delivery van with a soccer stadium. Extra credit for removing the telephone number and website that were incorrectly painted on the van.
CLASS 5
Diving into the green screen and set extension.
CLASS 6
Austin Meyers takes us through the first of three blue screen shots in the commercial.
CLASS 7
Finishing off the delivery van shots greenscreen.
CLASS 8
Mariana Acuña helps composite the first shot in the sequence with generating a 3D scene from a 2D image.
CLASS 9
Hugo Guerra and Compositor / R&D developer Justin Gros Desir create a Nuke Gizmo for the use of creating a configurable crowd using multiple sources.
CLASS 10
Course wrap up.
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