FXPHD – NUK306 Production Nuke Finishing

在这个高级 NUKE 课程中，成员们从电影视觉效果的角度探索真正将镜头拍摄到最终效果需要什么。Alex Fry 教授刚刚在《了不起的盖茨比》的 Animal Logic 担任首席合成师，他研究了最近一个独立项目的几个场景，并展示了在 NUKE 中获得出色合成的先进技术。

许多艺术家的印象是，获得最终作品仅依赖于技术的正确性和创造性的润色。虽然这显然是两个主要因素，但一个经常被忽视的影响因素可能是最关键的：客户。客户可能是付费客户，或者——在设施中——艺术家为之工作的人：序列主管、视觉特效主管、导演，甚至是工作室。现实情况是，最终投篮并不是关于任何特定技能，而是正确地响应反馈并为链条上的人们提供他们想要的东西。

亚历克斯通过合成所需的高级技术和知识进行工作，例如利用位置数据和掌握相机技术。同时展示了如何在最终完成镜头的迭代过程中正确处理来自评论的反馈。

FXPHD – NUK306 Production Nuke Finishing

In this advanced level NUKE course, members explore what it takes to truly take a shot to final, from a film visual effects perspective. Professor Alex Fry, fresh off his stint as lead compositor at Animal Logic for The Great Gatsby, works through several scenes of a recent independent project and show advanced techniques for getting great composites in NUKE.

Many artists are under the impression that getting a shot to final relies merely on technical correctness and creative polish. While those are obviously two major factors, an often-overlooked influenced can be the most critical: the client. And by client that could be a paying client or — at a facility — the person the artist is working for: a sequence supervisor, vfx supervisor, director, or even the studio. The reality is that finalling a shot isn’t really about any particular skill, but rather responding to feedback correctly and giving people up the chain what they want.

Alex works through advanced techniques and knowledge required for compositing, such as utilizing position data and mastering camera techniques. While at the same time shows how to correctly address feedback from reviews over the iterative process of finalling a shot.