Modeling For Film & TV Hard-Surface Vehicles

如果您想将您的模型推向行业黄金标准，本次研讨会将向您展示电影和电视领域的专业模型师如何打造世界一流的量产质量车辆。

在视觉效果行业中，当对资产进行建模时，艺术家通常会获得对象的扫描或摄影测量数据，以便重新拓扑和匹配参考。然而，情况往往并非如此，在这种情况下，重要的是要知道该做什么以及如何在有限的参考资料的基础上处理这些情况——这是每个从事复杂节目的建模师的期望，而且他们往往需要在非常短的时间内完成工作。

在这个 3 小时的研讨会上，Josh Docherty 将带您完成无需扫描即可建模高分辨率车辆的过程，依靠使用摄像机阵容并使用他的技巧、窍门和行业知识在有限的时间内创建相同的高质量、可用于管道的资产。

本教程将教您如何创建干净、强大的模型，供其他部门（包括纹理/外观开发、绑定、动画、FX 和照明）下游使用。不同部门通常有许多要求和需求，建模人员负责确保这些要求和需求得到考虑并尽其所能满足。这有助于整个流程高效地处理与模型相关的所有事务。

Josh 演示了许多艺术家可以采取的最佳实践和行动，以确保资产发挥最佳作用，使用原生 Maya 工具在家中实现相同的效果 – 同时遵守与业内最大管道相同的规则。此研讨会最适合初级及以上级别的建模者。

本次研讨会使用的参考资料来自 Bring a Trailer，所展示的 HDRI 来自 PolyHaven。Josh 使用 PureRef、Maya、Arnold、Redshift（可选）、Lightroom 和 Photoshop 作为他的首选工具，但所演示的技术可以应用于其他软件。

使用的软件
Redshift Lightroom Maya Photoshop

Duration 2h 52m MP4

Title: The Gnomon Workshop – Modeling For Film & TV Hard-Surface Vehicles

Info:
If you want to push your models to the industry gold standard, this workshop will show you how professional modelers working in film and TV create world-class production-quality vehicles.

When modeling assets in the visual effects industry, artists are often supplied with scans or photogrammetry of the subject to retopologize and match the references. However, there are frequently times when this isn’t the case, and in those instances, it’s essential to know what to do and how to tackle these scenarios working from limited references only — which is expected of every modeler working on complex shows and often under very quick turnarounds.

In this 3-hour workshop, Josh Docherty takes you through the process of modeling a high-resolution vehicle without a scan, relying on the use of camera lineups and using his tips, tricks, and industry knowledge to create the same high-quality, pipeline-ready asset in a limited amount of time.

This tutorial teaches how to create a clean, robust model for downstream use by other departments, including Texturing/Lookdev, Rigging, Animation, FX, and Lighting. Different departments often have many requirements and needs that modelers are responsible for ensuring are considered and fulfilled to the best of their abilities. This helps the entire pipeline perform efficiently for all things model-related.

Josh demonstrates many of the best practices and actions artists can take to ensure assets function at their best, using native Maya tools to achieve the same results at home — all while adhering to the same rules as the largest pipelines in the industry. This workshop is best suited for junior-level modelers and above.

The references used for this workshop are from Bring a Trailer, and the HDRI featured is from PolyHaven. Josh uses PureRef, Maya, Arnold, Redshift (optional), Lightroom & Photoshop as his tools of choice, though the techniques demonstrated can be applied to other software.

Software Used
Redshift Lightroom Maya Photoshop