
了解电视制作背景设计和绘制的完整工作流程。 《瑞克和莫蒂》的背景画家和设计师迈克·贝尔分享了他完整的设计过程,从审查初始脚本到收集参考资料和勾画出初步想法。从那里,迈克选择并完善选定的草图,以发展为可用于电视动画的干净的最终背景。设计确定后,迈克进入绘画阶段,讨论他的创意决定背后的原因,并逐步完成从缩略图到最终绘画的完整工作流程。
这个详细的 2 小时研讨会面向具有一定 Photoshop 经验、希望熟悉动画制作工作并学习设计动画背景的思维过程的艺术家和插画家。
Duration 1h 58m MP4
Title: The Gnomon Workshop – Designing Backgrounds for Animation
Info:
Discover a complete workflow for designing and painting backgrounds for television production. Mike Bear, Background Painter and Designer on Rick and Morty, shares his complete design process, from reviewing an initial script to gathering references and sketching out initial ideas. From there, Mike selects and refines a chosen sketch to develop into a clean, final background usable for a TV animation. With the design established, Mike progresses to the painting stage, discussing the reasons behind his creative decisions, and walks through the complete workflow, from thumbnails to the final painting.
This detailed 2-hour workshop is intended for artists and illustrators with some Photoshop experience who are looking to familiarize themselves with animation production work and learn the thought process that goes into designing backgrounds for animation.
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