BT The Granular Collection In The Key Of G WAV-SYNTHiC4TE

这组声音是使用老式合成器、现场管弦乐录音和复杂的离线数字信号处理平台（如 Kyma、Csound 和 CDP）生成的。它是第一个为电影作曲、电子音乐和任何需要昂贵、广泛的纹理和环境音床的丰富的电影纹理集合中的第一个。

该系列专门探索颗粒状和分子状的复杂声音处理。许多纹理本身可以用作完整的合成。有些时长 2-3 分钟，具有动态、不断变化的变形、深层颗粒状音色和纹理。我在自己的作品中使用这些的方式是： 1. 作为新作品的灵感来源。在 F# 中抓取一些纹理，将它们拉入您的 DAW，交叉淡入淡出，分层，淡入淡出，均衡品味（许多是全频谱，因此如果您使用多个，最好除了一个之外都使用高通滤波器），添加混响和声像，你就有了完整作品的基础。拿起您的管弦乐库或钢琴进行电影创作，或者为电子音乐添加侧链和底鼓，您就可以开始跑步了。2.优雅，丰富的故障和过渡或现有作品中的器乐段落。假设您正在 Eb 中进行深入的 House 曲目。您已经完成了故障并进行了故障后下降，但需要进行史诗般的故障。当您的 DAW 处于循环播放状态时，在 Eb 中翻阅一些 The Granular Collection。从您的构图中的光谱有利位置找到一些和谐地工作的纹理。将 4-5 个纹理拉入您的分解区域。高通滤波器除其中之一外。添加 eq、动词、交叉淡入淡出等并保存一个以进行从零到最大音量（直至您的下降）的渐变。

SYNTHiC4TE | March 21 2020 | 3.63 GB

This collection of sounds is generated using vintage synthesizers, live orchestral recordings and complex offline digital signal processing platforms such as Kyma, Csound and CDP. It is the first in a collection of lush, cinematic textures for film composition, electronic music and anything that requires, expensive, expansive textures and ambient sound beds.

This collection exclusively explores granular and molecular, complex sound treatments. Many of the textures can be used as full compositions in themselves. Some are 2-3 minutes long with dynamic, shifting morphing, deeply layered granular timbres and textures. The way I use these in my own work are : 1. As an inspiration for a new composition. Grab a handful of textures in say F#, pull them into your DAW, crossfade, layer, fade in and out, eq to taste (many are full spectrum so if your using more than one, best to high pass filter all but one), add reverbs and panning and you have the basis of a full composition. Grab your orchestral libraries or piano for film composition or add a sidechain and kick drum for electronic music and you are off and running. 2. As elegant, lush breakdowns and transitions or in instrumental passages in an existing composition. Say you’re doing a deep house track in Eb. You’ve worked up to the breakdown and made a post breakdown drop but need to make an epic breakdown. Flip through some of The Granular Collection in Eb while your DAW is in loop. Find a handful of textures that work harmonically and from a spectral vantage point on your composition. Pull 4-5 textures into your breakdown area. High Pass filter all but one of them. Add eq, verb, crossfades etc and save one to do a ramp that fades from naught to full volume (up to your drop). A little arranging and in an hour you have a massive sounding breakdown with elegant, complex and detailed sound design.