Harrison Mixbus 32C 6.0.0 x64

在过去的40年中，哈里森（Harrison）调音台以其卓越的性能赢得了全世界的赞誉。这不是偶然的。只有通过产品在现场的性能证明其成熟度，才能获得如此高的认可度。毫无疑问，这种实时声誉是衡量产品真实价值的最佳方法。例如，Michael Jackson“ Thriller”，Paul Simon“ Graceland”，Janet Jackson，AC / DC，ABBA，Queen，Led Zeppelin，ELO，Genesis，Blondie和Supertramp使用了享誉世界的Harrison 32C模拟控制台，仅举几例，并有助于建立这些惊人记录的声音。这些控制台中有许多仍在世界范围内使用。

Mixbus32C是功能齐全的工作站，具有Harrison 32C混音器的功能。
Mixbus32C提供专业级别的功能，可将无限数量的音频或MIDI轨道导入或录制到您的计算机中；然后编辑，混合和掌握您的作品。

操作优势
由于Mixbus32C混音器页面的布局方式，显示最常用的控件，并且可以使用丰富，高对比度的GUI设计随时访问这些控件，该GUI设计优雅而准确地模拟了Harrison 32C控制台的原始硬件版本。这种传统的布局不仅看起来不错，而且允许工程师像乐器一样接近控制台，这直接影响了混音的艺术效果，并极大地促进了任何给定混音的成功。

模拟性能
哈里森在过去20年中率先使用高性能计算机技术，以在世界最大的混合环境中提供无与伦比的处理能力。通过遵循这些数十年来不断增加的技术步骤，哈里森现在可以忠实地模拟过去设计精美的模拟信号处理设计，并将它们整合到数字音频工作站环境中的全功能“ True Analog”混合控制台中。

更高的均衡度
每个Mixbus32C通道条都对原始的Harrison 32C参数化四频带可扫描均衡器进行了精确仿真，并带有可单独切换的滤波器部分，其中包括二阶高通和低通滤波器。每个电阻器，电容器和晶体管均已建模。仅在5年前还不可能在每个通道条上运行这种复杂的DSP。

更多总线
Mixbus32C提供12条立体声混合总线，每条总线均具有独立的电平控制，延迟补偿和相关的主通道，并结合了非常成功的Harrison磁带饱和，总线压缩和音调控制功能。

File size: 99 MB

Over the last 40 years, Harrison consoles have earned an enviable reputation for excellence throughout the world. This is no accident. Such a level of acceptance can only be gained as a product proves its maturity through performance in the field. This real-time reputation is, without a doubt, the best measure of a product’s true worth. For example, the world renowned Harrison 32C analog console was used on records by Michael Jackson “Thriller”, Paul Simon “Graceland”, Janet Jackson, AC/DC, ABBA, Queen, Led Zeppelin, ELO, Genesis, Blondie, and Supertramp, to name a few, and was instrumental in establishing the sound of those amazing records. Many of those consoles are still in operation throughout the world.

Mixbus32C is a full-featured workstation with a recreation of the Harrison 32C mixer.
Mixbus32C provides professional-level features to import or record an unlimited number of audio or MIDI tracks to your computer; then edit, mix and master your production.

Operational Advantages
Because of the way the Mixbus32C mixer page is laid out, the most commonly used controls are displayed and are accessible at all times using a rich, high contrast, GUI design that gracefully and accurately emulates the original hardware version of the Harrison 32C console. This traditional layout not only looks good but allows the engineer to approach the console as if it were a musical instrument, directly affecting the art of mixing and contributing greatly to the success of any given mix.

Analog Performance
Harrison has pioneered the use of high performance computer technology over the last 20 years to provide unmatched processing power in the world’s largest mixing environments. By keeping up with these incremental technological steps through the decades, Harrison can now faithfully emulate the beautifully designed analog signal processing designs of the past and incorporate them into a full function “True Analog” mixing console within the digital audio workstation environment.

More Equalization
Each Mixbus32C channel strip incorporates an exact emulation of the original Harrison 32C parametric four-band sweepable EQ with a separately switchable filter section including second order high-pass and low-pass filters. Every resistor, capacitor, and transistor was modeled. To run this complex DSP on every channel strip was impossible just 5 years ago.

More Buses
Mixbus32C provides 12 stereo mix buses, each with individual level control, latency compensation, and associated master channel incorporating the highly successful Harrison tape saturation, bus compression, and tone control functionality.

A Partial list of Mixbus32C features:
Straightforward “knob per function” mixer layout based on Harrison’s renowned music consoles.
Precise emulation based on Harrison’s famous analog console circuit designs.
Precision algorithms for EQ, Filter, Compression, Analog Tape Saturation, and Summing.
The Mixbus engine is internally dithered, ramped, and gain staged so that sound quality is preserved as close to analog as possible.
Unlimited stereo or mono input channels, each with unlimited plug-ins, sends, and hardware inserts. (limited only by CPU and disc speed).
Unlimited MIDI tracks, each with virtual instrument support, unlimited plug-ins, sends and inserts.
Polarity, Input trim, Sweepable 4-band EQ with second order HP and LP filters, Compression, and 12 mix bus sends on every track
Mixbus32C has an optimized signal flow with 12 stereo mix buses and a master bus, all featuring Tone controls, Compression, Sidechaining, and Analog Tape Saturation simulation
Stereo Master Bus that features Tone controls, Analog Tape Saturation, K-meter, Stereo Correlation Meter, and Limiter.
Automatic plug-in delay compensation to support effects such as parallel compression without time misalignment.
Comprehensive “at-a-glance” metering with peak, peak hold, and compressor gain reduction visible on every track and bus.
Extensive DAW editing features including “Smart Tool”, Ripple Edit, and configurable keybindings for nearly every operation.
Industry standard plug-in support: Mixbus loads AudioUnit (AU) plug-ins on OSX; and both VST and LV2 plug-ins on all platforms.
Mixbus provides professional features such as Loudness Analysis (dBTP+LUFS+LU Range), LTC (SMPTE) generation and sync; video pullup/pulldown.
Persistent undo (undo remains possible after closing and reopening a session).
Fourth-generation Harrison “True Analog Mixing™” processing engine with enhanced compressor/limiter algorithms; built-in sidechain bussing, and increased plug-in flexibility.
Support for video timeline, video window, and audio+video exports.
Recording operates like a tape machine: Punch-in on the fly, and use per-track input monitoring just like a multitrack tape machine.
Extensive export features including multitrack stem export, simultaneous multi-format exports, multiple export ranges, CD track markers, silence trimming, normalization, and command-line arguments to trigger third-party encoders or file-management scripts.
Audio regions are stacked in “layers”, and every region fadein/out is a crossfade to the region(s) beneath it.
Plugin “pin connection management” provides rich editing of signal-flow through each channel’s path, including full support for dual mono, mono-to-stereo, sidechaining, and other advanced flows.
The user interface scales to fit your monitor; larger monitors will get bigger knobs and sharper text.
Refined workflow and graphics, including scaling and support for HiDPI (Retina) displays.
Generic MIDI devices can use “MIDI Learn” to assign MIDI controls directly to on-screen knobs or use MIDI profiles to select many pre-configured device layouts from a pull-down menu.
Mackie control protocol is provided for motorized fader controllers, and the Mackie protocols have been extended to ergonomically control the Mixbus channelstrip EQ, compressor, and 8 mixbus sends. Dedicated support is provided for popular devices like the Presonus Faderport, Mackie MCU, and Behringer X-Touch controllers.
OSC (Open Sound Control) protocol supports ethernet-based wireless tablet controllers such as TouchOSC and Lemur for iOS and Android to remote-control Mixbus.
Lua Scripting: Use the Lua scripting language to automate tasks such as track creation, renaming tracks, adding plugins, or creating “macro” operations.
VCA Faders: Use VCA faders to control multiple channel faders at once. A fader can be assigned to multiple remote VCA faders, adding another powerful dimension of control and organization to your mixes.
Tempo Ramps and Tempo Maps: Use advanced features to map your live recording’s tempo and structure (no need to record to a click!) – or import a tempo map from MIDI.
Included Plugins:
General-MIDI synthesizer and 2 multi-output sampled drum instruments help you arrange a song immediately, without any other plugin instruments.
Over 25 realtime MIDI-filter plug-ins for transposing, velocity scaling, delay effects, channel changing, etc.
“SetBfree”, a lovingly modeled Tonewheel Organ by x42.
Harrison’s Dyno-Mite envelope-designer plug-in for drums.